Indeed, he passionately claimed this as the ground for his adherence to the tenets of functionalism. Boyd’s guiding ideas were honesty and integrity. At a more basic level, he was talking of the critical need for an idea/theory that will guide the architect’s whole approach to the profession of architecture. Nor was he limiting his notion to the generation of a “concrete idea which will be his guide vision through the long processes of preparation and construction”. Boyd was not just making the obvious point that architects need to be able to think towards solutions to the practical problems that they encounter. However his principal arguments rested on the claim that, at a most fundamental level, architecture develops (or should develop) in response to ideas. In the latter part of 1998, ABC Radio National’s program, The Comfort Zone, broadcast excerpts from Robin Boyd’s Boyer Lectures of 1967. Second, we introduce the RAIA’s revised Code of Professional Conduct, which applies specific performance standards that have new legal implications for offices which tend to be tardy on non-design issues. In the video, Andy McCluskey spends the entire video driving around in a classic red, convertible Volkswagen Karmann Ghia, while Paul Humphreys is standing on the Palladian Bridge while singing and leaning against the pillars of the bridge.First, Dr Simon Longstaff, executive director of the St James Ethics Centre in Sydney, reconsiders Robin Boyd’s ‘ideas’ of architectural practice in light of basic human values and new systems of computer design. The song’s promo video was filmed on the grounds of Stowe House, which is used as Stowe School, in Buckinghamshire, England. I genuinely thought it was a bit soppy, and since I hadn’t written it, I found it hard to relate to.” “I think you can always make a better case for a song you’ve written on your own…But everyone seems to think I hated ‘Souvenir’ just because it was Paul’s song – not so. One thing for sure, Architecture and Morality is one of the most important albums ever released in the history of Synth Pop, and yet is not limited by the conventions of the genre, such as the very post-punk driven opening track “ The New Stone Age”, which demonstrates OMD’s wide range of compositional styles.įor the single “Souvenir”, Keyboard player Paul Humphreys provided lead vocals and had co-written the song with Martin Cooper who had played live with OMD and was becoming part of the group.įrontman and co-founder Andy McCluskey was not a fan of the track and has stated: The songs on Architecture and Morality still carries a lot of the grit many of OMD previously released tracks displayed, but nevertheless, the brilliantly composed album contained three tracks that became hugely successful singles: “ Maid of Orleans (The Waltz of Joan of Arc)”, “Joan of Arc” and “Souvenir”, and “She’s Leaving”, which was a Factory Benelux only release.Īndy McClusky’s vocal style influenced many singers that would follow, and the catchy and sometimes dramatic yet minimalistic arrangements of the band displayed a good understanding of efficiency and dynamics within a track to make it catchy and engaging. On November 6th, 1981, Orchestral Manoeuvres in the Dark released their highly influential third album, Architecture and Morality a record that sees electronic music pioneers at their peak of creativity.
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